France > Centre-Val de Loire > Cher > 18220 > Morogues > 4 Place de l'Église
After studying to be a professor of drawing in Paris and teaching, Nadia comes to La Borne. Modeling quickly replaced turning. At the beginning of 1990, she radicalizes her approach by an economy of means: one clay, two or three engobes, basic tools and firing with sawdust.
She goes to the essential, to the essence of the sky. Nadia goes from ovoid forms, to spheres, to geometric forms with multiple faces. Her creation offers an enigmatic, peaceful radiance. The universality of these forms, from the visible or the invisible, spreads a timeless energy between the infinitely small and the unexplored infinite. Nadia's reflection, the basis of her work refers to astronomy, poetry, architecture..
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